"the skyscrapers were proud to have been built by us,
back when we spoke the language of the reaching
like the clouds were fruits to pick"
And the second came when he considered the natural:
"the ocean only knew the warm tongue of the endless,
which it could not teach us, but it sent waves,
preaching the language of CRASH
and now we throw fists like the atlantic, but we hug like the pacific"
I found it interesting that, like Whitman's redwood, the skyscraper
is personified as being proud of man's progress, a thought that
is not necessarily typical of an environmentalist, yet when
personifying the ocean, Williams portrays a friendly
relationship between nature and humanity. In the poem,
the ocean is a mentor, telling humanity how to speak
"the language of CRASH" - a lovely thought, though
decidedly anthropocentric. I think this is mainly because
these place metaphors, though copious, are not the driving
force of the poem, and thus the optimism of each image
works with the flow of the poem even if the images are a
bit contradictory (i.e. the ocean being friendly to humanity
even though humanity pollutes through continual progress
- building skyscrapers and the like).

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